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Irving, David R M

ICREA Research Professor at Institució Milà i Fontanals (CSIC - IMF).
Humanities

Short biography

David R. M. Irving studied at Griffith University, the University of Queensland, and the University of Cambridge. He held post-doctoral positions at Christ's College, Cambridge, and King's College London, then taught at the University of Nottingham, the Australian National University, and the University of Melbourne. Since 2019 he has been an ICREA Research Professor at the Institució Milà i Fontanals de Recerca en Humanitats, CSIC. His research interests include the role of music in early modern intercultural contact, the global history of music, and historical performance practice. He is co-editor of the journal Eighteenth-Century Music (Cambridge University Press) and co-general editor of A Cultural History of Western Music (Bloomsbury, in press). Awards include the Jerome Roche Prize (Royal Musical Association) and the McCredie Musicological Award (Australian Academy of the Humanities).

Research interests

My research stands at the nexus of historical musicology, ethnomusicology, and global history, examining the role of music in intercultural contact during the early modern period. I have worked on the musical repercussions of Spanish, Portuguese, French, Dutch, and British colonialism in Southeast Asia, and the role of music in various early modern Catholic missions. I aim to develop new conceptual frameworks for global histories of music, and to explore the impact of colonialism on musical thought and practice in early modern Europe. I am working on two monographs, Transitory Sounds: Early Music, Global History, and Decolonial Praxis (under contract to University of Michigan Press) and The Making of "European Music" in the Long Eighteenth Century (under contract to Oxford University Press). I have deep interests in early music and also serve as Chair of the International Musicological Society's Study Group "Global History of Music".

Key words

Music and colonialism; early modern global history; intercultural exchange; musical hybridity and syncretism; music and religion

ORCID

0000-0003-3849-1549

RESEARCHER ID

AAP-4370-2020
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